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Blurring the Lines: six short case studies on hybrid participatory theatre

A publication exploring the breadth of experimentation and practice in hybrid working within the participatory arts sector. Collective Encounters, 2022.

The role of the Arts during the Covid-19 Pandemic

This report draws on a range of literature to explore (i) how audiences and arts behaviours changed and whether such changes are showing signs of becoming persistent within our society, (ii) how and why the arts helped people to cope [...]

Culture in Crisis

A report into the impacts of Covid-19 on the UK Cultural sector and where we go from here. Ben Walmsley, Abigail Gilmore, Dave O’Brien and Anne Torreggiani, 2022

The Space

A comprehensive resource with advice and guidance to help with everything from creative development and production, to live streaming and performance capture, finding an audience online and measuring success.

Digital Theatre: How is it working

A conversation of theatre makers discussing pivoting their work on line and their resulting learning. Hosted by Intermission.

Innovations in Socially Distanced Performance

Innovations in Socially Distant Performance is a project which studies the aesthetics, philosophies, tools, and artists who are transforming the fields of virtual live performance and socially distant productions. This continually updated website is a place to create community, share [...]

Case Study: Mortal Fools: Digital Interludes

Is a participatory arts organisation based in Northumberland specialising in working with young people. This resource brings together a body of digital work created by young people. Location: England  

Case Study: Nathan Powell

Chapter One of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: What is the difference between a digital and a live participatory theatre process? With a case study of Small Gifts. (22:19) Location: England

Case Study: Kamari Romeo, Humblebee Creative

Chapter Two of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: What is the message and how does the medium reflect this? With a case study of Toybox by Humble Been Creative. (17:42) Location: England

Case Study: Tassos Stevens, Coney

Chapter Three of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: Who is the audience and how can they participate? With a case study of The Delegation by Coney. (24:27) Location: England

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0151 345 6266 | info@collective-encounters.org.uk

Collective Encounters
Tel: 0151 345 6266 | Web: www.collective-encounters.org.uk

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0151 345 6266 | info@collective-encounters.org.uk

Collective Encounters
MPAC, 1-27 Bridport Street, Liverpool, L3 5QF
Tel: 0151 345 6266 | Web: www.collective-encounters.org.uk

  • Take Part
    • Creative Communities
    • Arts Adventures
    • Where You’re At
    • Beat the System
    • Regular Performance Groups
      • Adult Theatre for Social Change company
      • Women in Action
    • Projects for Parents and Carers
      • Black Maternal Health Project
      • Parent-Baby Co-Production Group
    • Creativity Training
    • Short Drama Courses
    • Workshops coming up
  • News & Events
    • Latest News
    • Events
  • Training & Development
    • Sector Development Calendar
    • Arts for Social Change Showcases
    • Creative Participatory Research
    • Arts & Social Change Resources
      • Making Digital Participatory Theatre
      • Library
      • Brief Encounters
      • Participatory Theatre Timeline
  • Research
  • About Us
    • Who we are
    • What is Theatre for Social Change?
    • Contact us
    • Recruitment
    • Archive
  • Donate
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