Case Study: Tassos Stevens, Coney
Chapter Three of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: Who is the audience and how can they participate? With a case study of The Delegation by Coney. (24:27) Location: England
Case Study: Maya Chowdhry / Virtual Migrants
Chapter Four of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: Digital platforms and production methods: Why and how? With a case study of Ethical People Movement, Virtual Migrants. (17:24) Location: England
Case Study: Debbie Bandara, Forest Tribe
Chapter Five of Collective Encounters' Digital Participatory Theatre Series, curated and introduced by Maya Chowdhry: How do different digital distribution methods engage audiences? With a case study of New Worlds by Forest Tribe. (21:23) Location: England
Being Hybrid: A Cheap and Easy Guide to Hybrid Events
The Guide is designed to support organisations offer the best hybrid programme possible to ensure they maintain access to people who have found online programme vital for their connection to the world. Although developed for programmers of literature events, workshops [...]
Covid-19 and the Global Cultural and Creative Sector
Extensive research from the Centre for Cultural value on the impact of the pandemic on the cultural sector internationally. Anthony Sargent CBE, 2022
Conversations on Communities, Creativity and Covid
Towards the end of 2020 19in20 set out to investigate community and socially engaged arts practices that have emerged across England in response to Covid19 and the subsequent restrictions. Here they share eight conversations among freelance artists, and artists working in [...]
Blurring the Lines: six short case studies on hybrid participatory theatre
A publication exploring the breadth of experimentation and practice in hybrid working within the participatory arts sector. Collective Encounters, 2022.
The role of the Arts during the Covid-19 Pandemic
This report draws on a range of literature to explore (i) how audiences and arts behaviours changed and whether such changes are showing signs of becoming persistent within our society, (ii) how and why the arts helped people to cope [...]
Culture in Crisis
A report into the impacts of Covid-19 on the UK Cultural sector and where we go from here. Ben Walmsley, Abigail Gilmore, Dave O’Brien and Anne Torreggiani, 2022
The Space
A comprehensive resource with advice and guidance to help with everything from creative development and production, to live streaming and performance capture, finding an audience online and measuring success.