Case Study: Nathan Powell
Chapter One of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: What is the difference between a digital and a live participatory theatre process? With a case study of Small Gifts. (22:19) Location: England
National Disability Arts Collection & Archive
The-ndaca.org tells the rich history of the disability arts movement with extensive archive and learning resources, oral history films, biographies of those who contributed to the Disability Arts Movement, as well as find out about emerging disabled artists.
The Applied Theatre Artist: Responsivity and Expertise in Practice
This book addresses the rarely examined expertise of applied theatre artists, aiming to shed light on their particular skills and qualities. Kay Hepplewhite, 2020.
Case Study: Kamari Romeo, Humblebee Creative
Chapter Two of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: What is the message and how does the medium reflect this? With a case study of Toybox by Humble Been Creative. (17:42) Location: England
Off Stage
A new, interactive e-zine dedicated to black and Asian theatre and culture in the UK. Tribe Arts, 2022
Theater in prison: Theory and practice
This is a collection of international essays describing the rich diversity of theatre and drama work in prison related contexts. Michael Balfour (ed), 2004
Case Study: Tassos Stevens, Coney
Chapter Three of Collective Encounters' Digital Participatory Theatre series curated and introduced by Maya Chowdhry: Who is the audience and how can they participate? With a case study of The Delegation by Coney. (24:27) Location: England
#ADiffWayToThink Mobile resource library
This #ADiffWayToThink Mobile resource library is your one stop shop of thoughts, discussions, toolkits and resources on access and inclusion. Daryl Beeton Productions, 2022
Blurring the Lines: six short case studies on hybrid participatory theatre
A publication exploring the breadth of experimentation and practice in hybrid working within the participatory arts sector. Collective Encounters, 2022.
Performance and Participation: Practices, Audiences, Politics
This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation and find points of connection across a range of performative forms including community theatre, live art, applied theatre, one-to-one performance and marathon [...]
